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Souvenir: “deceptively complicated”

Monday, November 30, 2009 Souvenir  

Souvenir is a “deceptively complicated piece” (Chicago Tribune) - funny and light on the surface, yet delving more deeply into the lives and psyches of its two characters than one might initially realize - and we’re so pleased that the critics have seen it that way.  Some of their thoughts on the multi-layered nature of the play are below.  We’d love to hear yours.  (To comment, just click on the title of this entry, then scroll down to find the comment area below.)

“Temperley also probes such fascinating matters as how singers really never hear what everyone else hears, and thus they don’t really know how they sound. They all take things on trust. More interesting yet, the piece also explores the question as to whether such little things as correct notes, pitch and rhythm really matter as much as the guardians of culture say they do. If you can move people without them - maybe move people more because you don’t have them - then who needs them?” -Chicago Tribune

“[Powers] succeeds in making Jenkins seem less a figure of fun than a true American original. She has a game foil in Anders, who brings out the tenderness in McMoon’s reluctant ability to overlook his patron’s flaws, which might otherwise seem like opportunism.” -Time Out Chicago

“Everyone with a need for artistic self-expression is not necessarily artistic. But who is to say what is art? Florence Foster Jenkins had the means to do what she felt was her destiny.” -TheaterWorld.com

“[Cosme McMoon] accepted a well-paying gig he thought would be short-lived and under-the-radar, but it turned out to be life-changing as for years he provided impeccable musical accompaniment for a woman who seemed blithely unaware of how dreadful her singing was, or, if she knew, simply believed that art was simply what you imagined it to be in all its glory.” -Chicago Sun-Times

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10 Comments

Joan Revsine Wednesday, December 2, 2009

Great play but bad title!

Harriet M, Sowinski Sunday, December 6, 2009

Bravo, most enjoyable.

Jules B Rukin Monday, December 7, 2009

Souvenir was a difficult story to attempt. It requires an audience to sit through the first half of the play listening to terribly wrenching off key vocals. In ending the first act when you did, you risked having the audience return for the second (and final) act. Our party talked about leaving, but I don’t like ‘giving up’. To my surprise, the first act set the stage for the very delightful second act. Both cast members were extremely talented, but the actor who played the pianist/composer unequivocally stole the show. His reactions to the Jenkins character as well as his eventual admiration for her was humorous, touching and real.

susan Saturday, December 12, 2009

by far the worst play we have seen at Northlight in our years as subscribers; stupid and boring. left after the first act. we could have left after five minutes.

thom Monday, December 28, 2009

Absolutely awful - a dreadful production. The original premise was flawed. What were you thinking? Worst production I have ever seen. As a subscriber I was furious. Left before it was over.

Lorraine Milius Monday, December 28, 2009

I enjoyed the play–but I was hoping that the lead actress would sing more than one song in her real voice. The last number she sang in her real voice was beautiful. I would have liked an encore.

Jeff Monday, December 28, 2009

I attended “Souvenir” with a friend who had already seen the show, but was eager to see it again with a “virgin”. I had done some research on Jenkins prior to the performance, and accessed her recorded music…it is quite…unique?…in it’s dreadfulness, but, coupled with the incongruity of her self image, it definitely piqued my interest. The performers in this production did a remarkable job in revealing the delicate relationship the two developed with each other, as collaborators and partners in a truly bizarre adventure. The singing in the production greatly over-exaggerated Florence’s actual technique, no doubt for comic impact, but in no way did it detract from the overall performance, rather, it gave those un-initiated to her true “artistry” an inspiration, perhaps, to further investigate her music. It is unfortunate that the detractor in the previous comment did not hang out for the second act…even though I knew what was coming, I was moved to tears at the final scene, so touchingly was it presented. Bravo, cast of Souvenir. A job well done.

LB Hanna Monday, December 28, 2009

I loved this play. Actors were balanced and fleshed out performances that could have been cartoonish. Story seems so very relevant with popularity of current “Reality television” talent shows, Susan Boyle, etc. My gut feeling (completely personal) is that if you didn’t enjoy this show, you didn’t “get it.” Really plumbed the depth of friendship, folly a deux, talent, love of music, humor, etc.

And, as a 2-person play in which one trained singer/actor had to sing/act out-of-tune; the other sang, acted, and played the piano (quite well) this play–the theatre experience was quite satisfying.

S. Schulman Tuesday, December 29, 2009

This was a terrific performance. It is so very difficult to purposefully sing off key, and the star of the show did with such professionalism. Her actual voice is magnificent which I knew it would be. Thank you for a wonderful theatrical experience.

barbara Friday, January 1, 2010

We thoroughly enjoyed this performance. The interaction between the two performers, showing how the characters relationship grew into a deep trust was beautifully done. And it exposed us to a person of whom we had no previous knowledge.

Very enjoyable show.

Thank you to Northlight and the two actors.

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